Goon Show

I imagine him
laying there thinking
using a voice from the Goon Show
'Come on legs, get up now'
and his legs not listening
and, being him
a fiercely proud and independent man
a grown man wearing a nappy
this would soon get out of hand
There would be shouting
and he would beat his legs
with flailing fists
He would curse and yell
and beat his useless-bastard legs
or would
if he could move his arms

Engine runs

I hear the engines
when the wind is in the south

A slow whine builds to a scream
holds itself steady for a long count
longer than seems safe
then throttles back in stages
from scream to roar to whine
to silent stop

The day rights itself
everything's in place
but for that kerosene smell
drifting across the valley
that makes the lungs wince
and is the colour of brown mist

The Sultan’s banker

I.

Wave after wave
the island grows

White light at the port becomes men

A retinue awaits

II.

Inside a palace of marble and wood
deep shadows pool

A cool breeze from the sea

The playing of fountains

III.

The Sultan smells of roses
sits and does not speak

He is here and somewhere else

Others negotiate

IV.

Terms are struck

There are photographs

Afterwards there is tea
strange and green and sweet

V.

Re-crossing the Strait
he calculates percentages

Neither too little
nor too much

Always room for doubt

VI.

He dreams by Tilly light

Whisky and soda

Cedar and camphor

The ceiling fan
redistributes hot air

Nyabs

He taught me how to play
how to cradle marble
between forefinger and thumb
taught me arcane marble law
(What are Taw and Mib?)
the secrets of the quick Punjabi flick
to always play for keeps
and only see the nyab
that you are aiming for

Nyabs - Kenya school-speak for the game of marbles