Tom: I really dig your oeuvre Al, the fearlessness, the British kink Allen: Thank you Tom, and yours. The flatness. You do like open mouths, don’t you? Oh yes, the close proximity of phallic substitutes. And you, the heels? Ah, always the heels Tom, the taut calf, the arch, the sheen, the shine It seems we’re wowing and outraging them in equal measure Sex sells, it’s good publicity And our work really is ironic, right? Of course it is, dear boy
Hamburg
A recent report said that there
is no structural racism in Britain
It must be true
they announced it
on TV
Black lives don’t matter
Covid is a conspiracy
There is no glass ceiling
Wars are won by the righteous
Politicians are faithful and honest
and Hitler is alive and well
hiding in deep cover
as a geriatric drag artist
still shaking his thing
in a suburb of Hamburg
Shoe Poems
Way-finder Shoes with animal tracked soles Deer, Hedgehog, Badger, Fox, Frog and a secret compass inside a recess inside the heel to help conjure animal spirits to confound the US Cavalry with baffling trails then find your way back home Voodoo Shoes had soles with voodoo masks African, Inca, Mohican, Zulu, Mexican and Haitian, the only shoes ‘With the Strength of the Voodoo’ Not much use against the likes of Andy Harrison a boy of uncertain moods who had demons of his own
Field Observations
Long walk over rutted ground, forget the toll on ankles and knees think about improving your balance Water in the ditches, and in the field edge, scatterings, weathered half-bricks and white tiles. An old house? A green lane the dog hates, she cowers, tail down, and wants to run because of the firing range, and the bird-scarers Past the halfway point there is a track, leading to a copse. The hand painted sign says ‘Private Rod’. I imagine a raw recruit, all Adam’s apple and wing-nut ears The empty farmhouse, slates missing, with a caravan behind. We thought they we’re fixing it up. Instead they are knocking it down A sign attached to a telephone pole says we have 28 days to object although we probably won’t Inside a green cathedral, lit with blackthorn blossom, bursting with white froth, I want to say ‘billowing’, or shout it The wind has shifted to the North, and cold, though when the clouds part there is real heat in the sun We are getting our lockdown steps in. Today’s walk is nine thousand steps which sounds a lot, but is only around four miles. Thoreau would laugh
Parental
Were they not here, you
could not have imagined them
not in such fine detail
nor have felt the heart’s tug
that tidal pull
Marianas deep
Almost Home
This evening, quiet near-dark outside I heard the geese returning the soft compression of wings the calling, for amity or reassurance, or both almost home almost home
Moon Fandango
(Percy Honri 1901) The man in the moon Is not the man in the moon Oh yes, he shines his yellow light hangs suspended in the sky full and fat enough to make you think, it is, it’s him alright Tonight, he came up slow and sad his old face cracked and gurning a ‘look at me!’ moon-man a very knowing moon-man an over-acting moon-man pouting and rolling his eyes A ukulele appeared, and so he played a melancholy moon-tune And, as he played his ludicrously small feet danced in tiny moon-man shoes, they danced not any kind of dance you’d know they danced the moon they danced the moon they danced the moon fandango
4 Rites for Early Spring
Bird rite - make wings from fallen branches, climb the tallest tree you can, sing any song you know with a bird in it, from start to finish, out loud Reparation rite - use cardboard from your online orders to make a person sized sculpture of a tree, then apologise to it Walking rite - find a new pathway to walk, walk it alone; walk it in rain, wind and sun, then give it a name Fire rite - write a poem about fire. Go outside. Set fire to it. As it burns, speak the words as you remember them
Yellowhammers
Weaving sunlight through field, tree, hedgerow spring rings early bells with the yellowest yellowhammers
My grannie’s knife
my grannie’s knife is older than me
half its blade has been steeled away
(imagine an imperfect, half-moon bite)
the dark wood handle worn to a dull shine
her body’s oils, still deep in the grain
stray molecules, mixing with mine
each time we shake hands